Vincent Como: No Hope. Not Now, Not Ever explores the concept of the expendable art object, as it relates to over-culturalism and the current global scarcity crisis. Como's exhibition subverts the reverence for art history through the use of common materials, repetition, simulation, and the often overlooked nuances of a world rendered whole by its own multiplicity. Accompanying the exhibition will be the release of the publication Hail Thee Holy Darkness, text by James Harris.